Edith Pageaud | Chords of Light & Shadow
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No added fees. We cover the booking costs.
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General Admission $49
Group Booking $29 if booking 4 or more
VIP Front Row $69
The best seats in the house! Front row reserved seating. Strictly limited availability.
JUN
27
SAT
Sydney, NSW
3pm | Ascham School Packer Theatre
188 New South Head Rd, Edgecliff NSW 2027
JUN
30
TUE
Wollongong, NSW
8pm | Wollongong Art Gallery, The Chambers
46 Burelli St, Wollongong NSW 2500
JUL
1
WED
Canberra, ACT
5:30pm & 8pm | Wesley Music Center: The Mansfield Room
20-22 National Circuit, Forrest ACT 2603
JUL
2
THU
Bega, NSW
7:30pm | Bega Valley Commemorative Civic Centre
Zingel Pl, Bega NSW 2550
JUL
5
SUN
Flinders, VIC
7:30pm | Flinders Civic Hall
56 Cook St, Flinders VIC 3929
JUL
6
MON
Geelong, VIC
7:30pm | Geelong West Town Hall
153 Pakington St, Geelong West VIC 3218
Event Support
This tour is managed exclusively by Concerts Australia.
For any ticket or concert enquiries, please contact our dedicated support line via tickets@concertsaustralia.com

About the Artist

Edith Pageaud — International Guitarist from France

Edith Pageaud’s story is one of extraordinary talent and dedication. Beginning her musical journey at just seven, she rose rapidly to prominence—winning numerous national competitions and earning her Diplôme d’Études Musicales in classical guitar from the Paris CRR by age fourteen under the tutelage of Gérard Abiton.

Renowned for her dazzling technique and deeply expressive artistry, Pageaud has captivated audiences around the world. Her recent first prizes at the Drome de Guitares (2022), Roland Dyens International (2023), and Florence International Guitar Competition Alvaro Company (Italy) affirm her status as one of today’s most exciting young guitarists.

In this recital, Pageaud invites listeners on a journey through centuries and styles — from the meditative minimalism of Philip Glass to the Baroque intricacies of Heinrich Biber, from Schubert’s lyrical poetry to the transcendent spirituality of Messiaen. Her program explores the emotional and expressive potential of the guitar in works both intimate and grand.

"With virtuosity and musical expression, she enchanted the public."
— Münchner Merkur
"Transported the audience into a deeply personal and profound musical atmosphere."
— La Provence
"The audience experienced a fireworks display of sound in her interpretations."
— Münchner Merkur

What You’ll Hear

Edith Pageaud — Solo Guitar

Glass Opening (arr. V. Miladinovic)
Mertz Introduction et Rondo Brillant
Schubert Gute Nacht (arr. Edith Pageaud)
Schubert Aufenthalt (arr. Mertz)
Messiaen Louanges (arr. M. Tozzola)
Biber Passacaglia (arr. Pageaud)
Rachmaninov Prélude in C# minor (arr. Pageaud)
Scriabin Étude Op. 8 No. 12 (arr. Pageaud)
Seixas Sonata K. 24
Piazzolla Oblivion (arr. Dyens)
Yupanqui El Bien Perdido
Tansman Passacaille

A program of vivid contrasts — from meditative minimalism to Romantic virtuosity — revealing a guitarist who unites imagination, depth, and dazzling command of her instrument.



A Note from Founder & Executive Director of Concerts Australia

In 2025, the celebrated South African guitarist Derek Gripper sent me a video with a simple note: "You absolutely must book her."

I hadn't heard of her at the time, but the video—her own solo arrangement of Rachmaninoff’s Prelude in C# minor—blew me away. I wasn't the only one; that performance has now amassed over 2.4 million views. That guitarist was Edith Pageaud.

It was immediately apparent that Edith possessed a unique musical voice and a depth of phrasing rarely seen in her generation. It came as no surprise to learn she had recently swept several major international competitions, taking first prizes across France, Italy, and Austria.

I reached out to her on Instagram, and she wrote back immediately. That message sparked a collaboration that led to me touring her in Australia and UK in 2025 and sponsoring her 3-year American work visa and launching her debut USA tour earlier this year.

Out of all the artists I have booked, I have never seen audience responses quite like hers. I joke with Edith that she casts a "secret magic" over the room. The sheer volume of heartfelt messages we receive after her shows is a true testament to the deep connection she forms with her audiences—not just through her brilliant playing, but through her radiant presence on stage.

— Michael MacManus
Founder & Executive Director, Concerts Australia